{"id":3507,"date":"2026-06-12T08:39:09","date_gmt":"2026-06-12T08:39:09","guid":{"rendered":"https:\/\/www.rivistapirelli.org\/?post_type=selezione_antologica&p=3507"},"modified":"2026-06-12T08:41:34","modified_gmt":"2026-06-12T08:41:34","slug":"autumn","status":"publish","type":"selezione_antologica","link":"https:\/\/www.rivistapirelli.org\/en\/selezione_antologica\/autumn\/","title":{"rendered":"Autumn"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":3506,"template":"","categories":[],"tags":[51],"class_list":["post-3507","selezione_antologica","type-selezione_antologica","status-publish","has-post-thumbnail","hentry","tag-culture-and-literature"],"acf":{"riassunto":"","composizione_articolo":[{"acf_fc_layout":"composizione_articolo_testo","composizione_articolo_testo_testo":"

Rainy fields and hills. It was summer<\/em><\/p>\n

yesterday, a beautiful, great summer. And now:<\/em><\/p>\n

the season has suddenly changed. <\/em><\/p>\n

It cries of what was yesterday\u2019s smile<\/em><\/p>\n

of the world. In the sky, uninterrupted and slowly<\/em><\/p>\n

the clouds\u2019 parting tells of summer,<\/em><\/p>\n

a finished joy. <\/em><\/p>\n

\u00a0<\/em><\/p>\n

Where has your life gone, <\/em><\/p>\n

with all its suffering, <\/em><\/p>\n

with its smiling allure,<\/em><\/p>\n

with its serenity?<\/em><\/p>\n

Ancient obscure<\/em><\/p>\n

the steep-sloped city appears to you.<\/em><\/p>\n

On the horizon, a sea<\/em><\/p>\n

shimmering water? Or tears shimmering in your eyes?<\/em><\/p>\n

\u00a0<\/em><\/p>\n

That I be with you, near you<\/em><\/p>\n

me, unanticipated, I be with you? Yesterday<\/em><\/p>\n

was a beautiful summer, today different<\/em><\/p>\n

images of everything. And thoughts<\/em><\/p>\n

drift to the world\u2019s lonely, to prisoners, <\/em><\/p>\n

to nostalgic sailors, <\/em><\/p>\n

to adverse fortune. And even, the heart feels it.<\/em><\/p>\n

 <\/p>\n

Florence, 1906<\/p>\n

 <\/p>\n

\n\"\"\n<\/p>\n

By publishing these verses written about 50 years ago, we return to the source of the unmistakable vein that animates the pages of Il Canzoniere<\/em> by the Trieste-born poet, paying an unusual homage to our readers with his poetic voice which was a constant companion from the beginning of our century. After his work Uccelli-Quasi un racconto<\/em>, edited by Mondadori in 1952, his voice has been silent. Of the many definitions of his own poetry that Saba has written in verse, the faithful reader can now choose that of the oak tree that \u201cancient resists decay\u201d and takes this as an auspicious omen for Mankind.<\/p>\n

 <\/p>\n"}],"edizione":"N\u00b0 6, 1956","custom_sticky":false,"autore":[{"ID":493,"post_author":"1","post_date":"2019-04-09 11:01:02","post_date_gmt":"2019-04-09 11:01:02","post_content":"Pseudonym of Umberto Poli (1883-1957). One of the best-known names in Italian poetry, he started to compose his first works around 1900. After debuting in 1911 with his collection Poesie<\/em>, he managed a cinema in Trieste at the end the Great War and took over the management of the antique bookstore Mayl\u00e4nder. Forced to leave Italy due to racial persecution, he moved to Paris in 1938. On his return to Italy, he started to collaborate with \u201cCorriere della Sera\u201d in Milan, and in 1945 he published Il Canzoniere<\/em>. Winner of many prestigious awards, including the Taormina Prize and the Accademia dei Lincei Prize, he left the unfinished novel Ernesto<\/em>, published posthumously in 1975.<\/em>","post_title":"Umberto Saba","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"umberto-saba","to_ping":"","pinged":"","post_modified":"2019-04-15 15:57:08","post_modified_gmt":"2019-04-15 15:57:08","post_content_filtered":"","post_parent":0,"guid":"http:\/\/internal-pcons-be-fondazione-fr-dev-elb-1449244171.eu-west-1.elb.amazonaws.com\/?post_type=autori&p=493","menu_order":0,"post_type":"autori","post_mime_type":"","comment_count":"0","filter":"raw"}]},"_links":{"self":[{"href":"https:\/\/www.rivistapirelli.org\/en\/wp-json\/wp\/v2\/selezione_antologica\/3507","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rivistapirelli.org\/en\/wp-json\/wp\/v2\/selezione_antologica"}],"about":[{"href":"https:\/\/www.rivistapirelli.org\/en\/wp-json\/wp\/v2\/types\/selezione_antologica"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.rivistapirelli.org\/en\/wp-json\/wp\/v2\/media\/3506"}],"wp:attachment":[{"href":"https:\/\/www.rivistapirelli.org\/en\/wp-json\/wp\/v2\/media?parent=3507"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rivistapirelli.org\/en\/wp-json\/wp\/v2\/categories?post=3507"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rivistapirelli.org\/en\/wp-json\/wp\/v2\/tags?post=3507"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}